GestaltenTV
“Have you got a 27B-6?”
Quote from the film Brazil, one of the best scenes!! youtube.com/watch?v=eosrujtjJHA . :)
Telekom (Central Services) is just toooo slow to officially re-connect our (refurbished) house. In self-defence I had to ‘tuttle’ that DSL cable myself, the old cable is still there and my provider is on it already!!! (just had to find the right pair :)
How To Avoid Facial Recognition
or ‘YOU GOTTA FIGHT FOR YOUR RIGHT TO PAAARTY (ANONYMOUSLY!!)
This is not a hoax! It really works! But you ll need some extra training for your neck muscles ;) Don’t be worried about party pictures any more. Just keep your head tilted when ever a friend pulls a camera or you travel to the UK. You’ll be safe! In case you are not an expert in software like Kyle’s ofxFaceTracker you can also test this just with your phone or camera. Facial recognition is default nowadays (especially on all the Faceboogles….)!!
by Kyle McDonald & Aram Bartholl
Berlin 2012
first posted on fffff.at/how-to-avoid-facial-recognition May 9 2012
O RLY?
‘The Pizzoetrope’
Still cleaning the studio …
Travel
(… seen on LH190 FRA-TXL last week)
What a misunderstanding
JODI at MMI
Art Micro Patronage

All pics ‘Reply All’
( flickr picture set of ‘Reply All‘. It took a while to cellect all these. Thx to @tbx for taking pics at the opening!..)
Speed Book Launch Party at EYEBEAM, NYC
I m looking fwd to this event! We gonna rock the house!! :)
http://eyebeam.org/events/book-launch-aram-bartholls-the-speed-book
http://www.facebook.com/events/271589126255664/
Book Launch: Aram Bartholl’s ‘The Speed Book’

On April 12 from 6PM–8PM, Eyebeam will host the official US ‘The Speed Book’ launch party of Aram Bartholl’s first artist monograph. The event, which occurs in tandem with eteam’s project launch, will feature:
- Aram Bartholl, in town from Berlin introducing and signing the book.
- Brad Troemel, will give a talk about “Creative Destruction”, based on his essay he wrote for ‘The Speed Book’!
- Lindsay Howard, Eyebeam’s Curatorial Fellow, in conversation with Aram Bartholl
- HENNESSY YOUNGMAN and DJ AJ Slim spinning beatzZ and rocking the house!
Eyebeam alumni Aram Bartholl’s work explores the power structures, social systems, cultural innovations, inner dynamics, languages, and products shaping our age. This publication, his first comprehensive monograph, offers entry into an oeuvre in which space and cyberspace mingle with and mangle one another in a realm that uses as little technology as possible yet still speaks in a digital language.
Aram Bartholl: The Speed Book is edited by Domenico Quaranta, designed by Manuel Bürger, and published by Gestalten, with essays by Josephine Bosma, Jonah Brucker-Cohen, Jon Cates, Lindsay Howard, Alessandro Ludovico, Evan Roth, Bruce Sterling, and Brad Troemel.
1st Blood
FREE AI WEIWEI GLASSES at Jeu de Paume
Jeu de Paume Paris is currently having an Ai Weiwei solo: Ai Weiwei – Interlacing. I am very honored that the FFFFFREE Ai Weiwei – glasses !! project is shown as mini workshop along with the show. Great picture gallery!! THX!!
http://lemagazine.jeudepaume.org/2012/03/the-free-ai-weiwei-glasses-portrait-gallery/
Calendar Update
Current & upcoming shows / talks / workshops
_________________________________________________________
13. – 17.6.2012
the-solo-project
Contemporary Art Fair Basel, represented by [DAM] , Basel, Switzerland
2.6. – 22.9. 2012
Cantastoria
UMOCA - Utah Museum of Contemporary Art, USA
curated by: Aaron Moulton
with: Steve McQueen, Ignacio Uriarte, Adam Bateman, Beehive Design Collective, Andy Graydon, Janos Fodor, Jakup Ferri, REP Group, Rainer Ganahl, Aram Barhtoll, Pablo Helguera, Lucia Nimcova, Ignasi Aballi, Lisa Oppenheim, Bob Moss, and more
9.5.2012
Next Berlin
Conference for digital industries, Berlin, Germany
25/26.4.2012
Indie Connect
A MAZE, conference, Berlin, Germany
20.4. – 10.6.2012
Invisible Maps
Luis Adelantado Mexico, Mexico City, Mexico
curated by Violeta Horcasitas
with Aram Barhtoll, Eduardo Basualdo, Peter Coffin, Daniel Everett, Marcius Galan, Veronique Jourmard, Miltos Manetas, Moris, Michael Rael, Jon Rafman, David Shrigley and Mungo Thomson
13./14.4.2012
Seven on Seven
Conference Rhizome, New York, NYC
with: Aram Bartholl, Xavier Cha, LaToya Ruby Frazier, Naeem Mohaimen, Jon Rafman, Taryn Simon, Stephanie Syjuco, Jeremy Ashkenas, Blaine Cook, Michael Herf, Marissa Mayer, Aaron Swartz, Khoi Vinh, Anthony Volodkin
The Speed Book launch party
Eyebeam, New York, NYC
with Brad Troemel, Lindsay Howard & Music by Hennesy Youngman
4.4. – 16.4.2012
It’s a small small world
Family Business, New York, NYC
curated by Hennesy Youngman
10.3. – 9.12.2012
Playtime – Videogame mythologies
Maison d’Ailleurs, Yverdon-les-Bains, Switzerland
Curated by José Luis de Vicente
16.12.2011 – 30.4.2012
Curious Minds: New Approaches in Design
Design & Architecture dept. The Israel Museum, Jerusalem, Israel
Curated by Alex Ward
———————————————————
LLELELELLELELLOLOLELELLELELLEE
From: Museum of the Moving Image <events@movingimage.us>
Date: March 23, 2012 5:20:47 PM EDT
To: Museum Events <events@movingimage.us>
Bcc: jodi@jodi.org
Subject: Invitation to JODI: Street Digital opening reception on March 30
Please join Museum of the Moving Image and JODI at a reception celebrating the opening of
JODI: Street DigitalFriday, March 30, 6:00 to 8:00 p.m.
Live Demo at 7:00 p.m.Museum of the Moving Image
36-01 35 Avenue
Astoria, NY 11106This invitation admits two. Please RSVP by March 28 to rsvp [a]
movingimage.us or by calling 718 777 6800. Street Digital, curated by Michael Connor, brings together a range of works made by the artist duo JODI between 1999 and the present in installation, software, and video. Paralleling the computer’s shift away from the desktop and into the world at large, the exhibition explores the way that media technologies frame our experience of the street. More information at http://www.movingimage.us/exhibitions/2012/03/31/detail/jodi-street-digital/Support for
JODI: Street Digital is provided by the Mondriaan Fund. Additional support is provided by public funds from the Netherlands Cultural Services. Equipment provided courtesy of Tekserve.
Hyperbranding
By blogging this video by Brad Tromel I try to improve my … “constant broadcast of my identity as recognizably unique brand.” :) Good stuff @Brad!
Re-told version of a lecture given at PS1 MoMA for the release of NYU Press’s Social Media Reader about the effects social media has had on young artists, contrasting the vision of a utopian commons with the rise of personal branding.
At work …
0,16 at Sonar Festival
It took a bit longer but here is a short video of 0,16 at Sonar Festval Barcelona last year. Thx to @__ANF for support!!
‘Propulsion Paintings’
Propulsion Painting: Ping Pong
Evan Roth
2012
Awesome new series by Evan Roth! Love those! :)
Title of the Day
Cleaning My Desk
(the shadows look so beautiful, I had to record this …)
Enclave
‘Tumblr Art’
Some artists don’t like at all to find pictures of their pieces on tumblr blogs without any context or credits. Olia aka @gifmodel in the contrary enjoys that! :) via http://art.teleportacia.org/exhibition/AGM/
The Pop-Up City
full post at http://popupcity.net/2012/03/book-the-speed-book-by-aram-bartholl/
Book: The Speed Book By Aram Bartholl
Some time ago I wrote about the question “How to democratize art?”. Aram Bartholl’s work is maybe one of the best examples of how to engage a large group of people with contemporary art. Bartholl meticulously tore down those boundaries built around the image of the ‘artwork’ as something far from our everyday lives, converting people into active participants of his projects. Gestalten dedicated one of its latest publications to him. The Speed Book is the first comprehensive monograph of Bartholl’s projects, with essays on his work, an interview and AB News #1 and #2, supplements conceived in the shape of a magazine.
Some of Bartholl’s projects gained him plenty of publicity, such as Map (the big red Google Maps marker that was turned physical and placed in urban space) or Dead Drops, a file-sharing network installed in public spaces through USB sticks placed into walls of landmarks or buildings, which we already mentioned in a previous post. These interventions perfectly underline the nature of his work as a smart critique on the digital world through public projects that bring typical Internet culture elements and video-gaming (which everyone knows and can be easily understood) straight into our lives and our cities. …
read on!
full post at http://popupcity.net/2012/03/book-the-speed-book-by-aram-bartholl/
Schönschrift
full article at http://schönschrift.org/artikel/what-comes-back-from-cyberspace-aram-bartholl-galerie-dam-berlin/
What comes back from cyberspace?
Aram Bartholl in der Galerie [DAM] Berlin

Was passiert, wenn wir Orten aus der virtuellen Welt auf einmal in der realen Welt begegnen? Oder ist nicht längst die virtuelle Welt auch Teil unserer realen Welt geworden? Aram Bartholl verweist mit seiner Kunst auf spielerische Weise auf die komplexen Verstrickungen und Überlagerungen von digitalem und analogem Leben. Der Künstler interveniert dabei meist im öffentlichen Raum und bedient sich alltäglicher Symbole, Formen und Codes, die sich ganz selbstverständlich in unser Leben eingeschlichen haben, ohne dass wir uns ihres Gebrauchs bewusst sind oder diesen reflektieren. Die Kunst dient hier als Denkanstoß sich dieser Allgegenwart bewusst zu werden und sich ihrer Sprache zu bedienen, um selbst aktiv am technischen Zeitalter teilzuhaben.
Bartholls wohl bekanntestes Werk Dead Drops, eingemauerte USB-Sticks als anonyme, allgemein zugängliche Datenablage, ist mittlerweile an vielen Orten weltweit zu finden und hat nun auch in der Außenwand der Galerie [DAM] Berlin ein Zuhause gefunden, im Rahmen von Bartholls erster Einzelausstellung „Reply All“. Unter anderem zeigt die Ausstellung auch die Arbeit 15 Secs of Fame, die für Aufmerksamkeit sorgte, nachdem Bartholl 2010 zufällig mit einem Google-Street-View Wagen in Berlin zusammen traf und diesem folgte, um sich auf der virtuell begehbaren Karte zu verewigen.
Auf sympathische und intelligente Weise befreit sich Bartholl vom Künstlermythos, indem er seine Arbeitsprozesse offen legt, um Wissen zu teilen und seine Betrachter zum selbstständigen Agieren und Eingreifen anzuregen. Die Guy-Fawkes-Masken, die zum Markenzeichen der Occupy- und Anonymous-Bewegung geworden sind, dabei aber widersprüchlicher Weise Geld in die Kassen des Medienkonzerns Warner Bros. spülen, kann der Besucher in How to Vacuum Form mittels einer Plastikplatte, eines umfunktionierten Toasters, einer Ton-Form und einem Blasebalg innerhalb von wenigen Minuten selber herstellen…..
read on http://schönschrift.org
‘Small Small World’
Great exhibition concept by Hennesy Youngman :) Will try to get a piece in there :)
Saturday Afternoon Graffiti Masterclass
Ohne Worte
(…btw, today is the last day of ‘Reply All‘ last chance if you haven t seen it …. )
7UP!
looking fwd to this http://rhizome.org/sevenonseven/ ! CU in nyc in april!
















